Download Apple Pro Training Series Final Cut Pro for Avid Editors by Diana Weynand PDF

By Diana Weynand

Up-to-date for ultimate reduce seasoned 7 and written for pro video and picture editors who comprehend their manner round Avid nonlinear structures, this publication exhibits you ways to translate your abilities to ultimate minimize professional speedy and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a complete "translation direction" overlaying all of the crucial operations, from undertaking set-up and easy enhancing via transitions and results, colour correcting, compositing, titling, and output. you will find exact function comparisons, sensible conversion counsel, and directions on find out how to use ultimate reduce professional beneficial properties that are not on hand in Media Composer. you are going to additionally study what is new in ultimate reduce seasoned 7. full of convenient positive aspects, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complicated modifying and workflow counsel, this booklet may have you enhancing with ultimate lower seasoned in list time. each one bankruptcy represents an entire lesson in a key element of ultimate lower seasoned 7 and contains a overview part and record of keyboard shortcuts.Accessible writing variety places knowledgeable teacher at your sideAmple illustrations and keyboard shortcuts assist you grasp options fastChapter evaluate sections summarize what you will have realized

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Read or Download Apple Pro Training Series Final Cut Pro for Avid Editors PDF

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Extra resources for Apple Pro Training Series Final Cut Pro for Avid Editors

Sample text

You can create a new sequence in the Browser by choosing File > New > Sequence, pressing Command-N, or Control-clicking to open a shortcut menu. 23 24 Projects and Interface You can open a sequence by double-clicking its icon or selecting it and pressing Return. You can add a color label to any clip, bin, or sequence. The clip and sequence colors appear on the clip or sequence tabs in the Viewer or Timeline and Canvas windows. You can reveal the name and keyboard shortcut for any tool or button by moving the pointer over a tool or button to open a tooltip.

As in Avid, the spacebar in FCP is conveniently used to start and stop play in the Viewer, Canvas, or Timeline. You may gravitate to the FCP keyboard shortcuts, or you may prefer sticking with the command button approach. FCP also offers an additional approach to editing that allows you to spend more time making edits and editorial changes directly in the Timeline itself. Timeline editing is covered in Lesson 6. Avid command buttons in Source monitor Just as the Avid Play buttons are located beneath the Source and Record monitors, the Play buttons in FCP are located beneath the Viewer and Canvas image areas.

In FCP, as in Media Composer, controls to lock tracks, patch tracks, turn tracks off or on so they won’t be seen or heard, and change track height all appear in the Timeline track area, in the left side of the Timeline. Patching area Track Lock controls Auto Select controls Visible controls Audible controls Track height To control Timeline tracks: Most of the Timeline track controls toggle a function off or on, just as they do in Avid. Do one of the following: To lock a track, click the Lock Track control for that track.

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